Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Domenicho Ghirlandaio
Totenfeier fur die Hl.Fina

ID: 29390

Domenicho Ghirlandaio Totenfeier fur die Hl.Fina
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Domenicho Ghirlandaio Totenfeier fur die Hl.Fina


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Domenicho Ghirlandaio

Renaissance Artists , 1449-94  Related Paintings of Domenicho Ghirlandaio :. | Lamentation over the Dead Christ | Predigt Johannes des Taufers | Details of Der Hl.Franziskeus verzichtet auf Hab und Gut | Details of Anbetung der Hirten | Stifterbildnis,Giovanni Tornabuoni |
Related Artists:
Helen Allingham,RWS
1848-1926
BASCHENIS, Evaristo
Italian Baroque Era Painter, 1617-1677 Evaristo Baschenis (December 7, 1617 ?C March 16, 1677) was an Italian Baroque painter of the 17th century, active mainly around his native city of Bergamo. He was born to a family of artists. He is best known for still lifes, most commonly of musical instruments. This could explain his friendship with a family with notable violin makers from Cremona. Still-life depictiona were uncommon as a thematic among Italian painters prior to the 17th century. Baschenis, along with the more eccentric 16th century painter Milanese Arcimboldo, represents provincial outputs with idiosyncratic tendencies that appear to appeal to the discernment of forms and shapes rather than grand manner themes of religious or mythologic events. For Arcimboldo, the artifice is everything; for Baschenis, the items, man-made musical instruments, have a purpose and a beauty even in their silent geometry. One source for his photographic style of still life could be Caravaggio's early painting of peaches, or alternatively, Dutch paintings. The most faithful imitator of his style is a younger contemporary Bergamese, Bartolomeo Bettera. Baschenis is a contemporary of the Bergamese portrait artist, Carlo Ceresa, and appears to have been influential for the Modenese artist Cristoforo Munari.
Bernardino Pinturicchio
c.1452-1513.Italian painter. He collaborated with Perugino in 1481-2 in the Sistine Chapel, Rome, and quickly established his reputation as a painter of distinctive and picturesque decorative cycles. His most important commissions included the decoration (1492-4) of the Borgia Apartments in the Vatican Palace, Rome, for Pope Alexander VI and the large fresco cycle (1502-1507/8) in the library of Siena Cathedral, depicting the Life of Aeneas Silvius Piccolomini






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